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Prisoner Education Guide

Articles by John W. Whitehead

Armed and Dangerous: If Police Don’t Have to Protect the Public, What Good Are They?

by John W. Whitehead, Commentary, The Rutherford Institute

After a shooting spree, they always want to take the guns away from the people who didn’t do it. I sure as hell wouldn’t want to live in a society where the only people allowed guns are the police and the military. — Author William S. Burroughs

In the American police state, police have a tendency to shoot first and ask questions later.

In fact, police don’t usually need much incentive to shoot and kill members of the public.

Police have shot and killed Americans of all ages—many of them unarmed—for standing a certain way, or moving a certain way, or holding something—anything—that police could misinterpret to be a gun, or igniting some trigger-centric fear in a police officer’s mind that has nothing to do with an actual threat to their safety.

In recent years, Americans have been killed by police merely for standing in a “shooting stance,” holding a cellphone, behaving oddly and holding a baseball bat, opening the front door, running in an aggressive manner holding a tree branch, crawling around naked, hunching over in a defensive posture, wearing dark pants and a basketball jersey, driving while deaf, being ...

Government Eyes Are Watching You: We Are All Prisoners of the Surveillance State

by John W. Whitehead, Commentary, The Rutherford Institute

“We’re run by the Pentagon, we're run by Madison Avenue, we're run by television, and as long as we accept those things and don't revolt we'll have to go along with the stream to the eventual avalanche.... As long as we go out and buy stuff, we're at their mercy… We all live in a little Village. Your Village may be different from other people's Villages, but we are all prisoners.

— Patrick McGoohan

 

First broadcast in America 50 years ago, The Prisoner—a dystopian television series described as “James Bond meets George Orwell filtered through Franz Kafka”—confronted societal themes that are still relevant today: the rise of a police state, the freedom of the individual, round-the-clock surveillance, the corruption of government, totalitarianism, weaponization, group think, mass marketing, and the tendency of humankind to meekly accept their lot in life as a prisoner in a prison of their own making.

Perhaps the best visual debate ever on individuality and freedom, The Prisoner (17 episodes in all) centers around a British secret agent who abruptly resigns only to find himself imprisoned and interrogated in ...

Dial T for Tyranny: While America Feuds, the Police State Shifts Into High Gear

by John W. Whitehead, Commentary, The Rutherford Institute

What characterizes American government today is not so much dysfunctional politics as it is ruthlessly contrived governance carried out behind the entertaining, distracting and disingenuous curtain of political theater. And what political theater it is, diabolically Shakespearean at times, full of sound and fury, yet in the end, signifying nothing.

Played out on the national stage and eagerly broadcast to a captive audience by media sponsors, this farcical exercise in political theater can, at times, seem riveting, life-changing and suspenseful, even for those who know better. 

Week after week, the script changes—Donald Trump’s Tweets, Robert Mueller’s Russia probe, Michael Cohen’s legal troubles, porn star Stormy Daniels’ lawsuit over an alleged past affair with Trump, Michelle Wolf’s tasteless stand-up routine at the White House correspondents’ dinner, North and South Korea’s détente, the ongoing staff shakeups within the Trump administration—with each new script following on the heels of the last, never any let-up, never any relief from the constant melodrama.

The players come and go, the protagonists and antagonists trade places, and the audience members are forgiving to a fault, quick to forget past mistakes and move on to the next spectacle. 

All the while, a different kind of drama ...




 

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